
I had heard from Jim about a lacquerware factory in Ho Chi Minh City. I looked it up in the tour book and sure enough I found a listing for the Lamson Lacquerware factory address 106 Nguyen Van Troi St. (across from the Omni Hotel). It made the list. Duc took one look and immediately responded that the Omni was no longer in business, but he knew exactly where it used to be. As it turned out, the Omni used to be across the street from where the Lamson Lacquerware factory used to be! Gone in favor of a shiny new office building...ah progress. Oh well scratch that one. Instead I asked Duc if he knew a store that sold lacquerware. He thought about it, made a call, and announced that he had just the place.
At this point, short lesson in lacquerware might be useful. The art of making lacquerware (son mai) was probably introduced to Vietnam after the emperor Le Thanh Ton (1443-59) sent an emissary to China to investigate the process. Lacquer is a resin from the son tree which is then applied in numerous coats (usually 11) to wood (traditionally teak), leather, metal, or porcelain. Prior to lacquering, the article must be sanded and coated with a fixative. The final coat is highly polished with coal powder. The piece may then be decorated with a design, painted, or inset with mother-of-pearl. If mother-of-pearl is to be used, appropriately shaped pieces of lacquer are chiselled out and the mother-of-pearl inset. The process of producing lacquerware is demanding and results in exquisite works of art.
Back to the story...we arrived at "a store that sold lacquerware" only to find a truly upscale art gallery. Before I knew which end was up, the proprietor was directing several workers to carry huge slate-based lacquerware works of art into the showroom for my perusal. I wanted to be graceful. I wanted to be respectful. Most of all I wanted to be back in the taxi headed to the next stop on the list. I am not sure how graceful I was, but we soon made an exit. I thought maybe I should just let it go. I should chalk it up to the language barrier. The lacquerware that I was talking about included plates and bowls and flower vases not super expensive art work.

The showroom was three times the size of the workshop and contained row after row of bowls, plates, vases, and wall hangings, exactly, I might add, what I was looking for!
So, how much of this are you bringing back home? :o)
ReplyDeleteThat is a bit of a problem. I don't trust the airline baggage handlers not to break what I do have, and I'm not looking forward to hand carrying loads of souvenirs. Hummm... --Jay
ReplyDeleteI'm sure Gwaz will appreciate your willingness to hand cary the laquerware.
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